Two Martha Wainwright sets for the price of one. During the first half of the night, Wainwright exclusively covered "rarer" songs by French national icon Edith Piaf. The second half featured Wainwright's own songs, mixed with some old family songs by her mother and aunt, Kate and Anna McGarrigle, and a few more Piaf songs. Although Andrew Whiteman didn't join Martha this time, Thomas Bartlett, one of the best pianists I've seen, did.
Full review at Vancouver Weekly.
Showing posts with label martha wainwright. Show all posts
Showing posts with label martha wainwright. Show all posts
Saturday, December 28, 2013
Best Shows of 2013: Martha Wainwright Tribute To Edith Piaf at the Fei & Milton Wong Experimental Theatre, November 2
Monday, December 9, 2013
Best Shows of 2013: Martha Wainwright at the Rio Theatre, March 9
I’ve been a huge Martha Wainwright fan for years. I still think she has one of the greatest voices today. I’ve seen videos in which she’s played to entire opera houses, so I was shocked (but delighted) that I was able to see her for the first time at the Rio Theatre for only thirty bucks or so.
Surely enough, her voice was as huge as I expected, and she had a personality to match. One of the best parts of this show was that Andrew Whiteman, one of the core members of Broken Social Scene, who plays under the solo moniker Apostle of Hustle, filled in on lead guitar (his band with his wife, AroarA, opened). But it wasn’t great just because Whiteman played with Martha; it was great because his lightly ocean spray, lightly Latin-influenced guitaring came through in her songs, and being the underrated guitarist he is, his style totally worked.
This show was also my first published music review. Read the entire piece at Vancouver Weekly.
Surely enough, her voice was as huge as I expected, and she had a personality to match. One of the best parts of this show was that Andrew Whiteman, one of the core members of Broken Social Scene, who plays under the solo moniker Apostle of Hustle, filled in on lead guitar (his band with his wife, AroarA, opened). But it wasn’t great just because Whiteman played with Martha; it was great because his lightly ocean spray, lightly Latin-influenced guitaring came through in her songs, and being the underrated guitarist he is, his style totally worked.
This show was also my first published music review. Read the entire piece at Vancouver Weekly.
Labels:
2013,
andrew whiteman,
aroara,
best shows of 2013,
Live review,
martha wainwright,
rio theatre,
vancouver weekly
Friday, April 12, 2013
Aggregate! Aggregate! Aggregate!
I don't know how the whole writer-publisher-property relationship works yet, but I assume publications don't like their articles being posted in full elsewhere even if it's on one of their own writers' personal blogs. So every once in a while, I'm just going to post the links to my reviews for Vancouver Weekly. This batch includes my reviews of Martha Wainwright with AroarA at the Rio, Crystal Swells with Juvenile Hall, Hole in My Head and Ornament & Crime at LanaLou's, the Strokes' Comedown Machine and Kurt Vile's Wakin on a Pretty Daze.
Sunday, February 17, 2013
Martha Wainwright - "Bleeding All Over You" Plus Interview Live on QTV
I never knew Jian Ghomeshi had a hand in naming Martha Wainwright's second album:
Saturday, February 16, 2013
Martha Wainwright - "Proserpina" Live at Shepherd's Bush Empire (Dec. 2, 2012)
March 9. I'm ready:
Tuesday, January 15, 2013
March 9: Bucket List Time
One of the best voices today, and I will finally get to hear it live at the Rio Theatre on March 9. Sorry, Electric Six and Fugitives, but Martha's got my money that night.
Monday, October 29, 2012
Martha Wainwright - "Proserpina"
Incredible. One of the greatest voices today. I would pay a fuckload of money to see Martha Wainwright. Hope she tours Vancouver in support of her new album Come Home To Mama.
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